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Bahman Ghobadi: I Have No Plans to Go to Iran

Jan 30, 2026 January 30, 2026 3 min read 📰 Radio Farda
📋 Key Takeaway

Bahman Ghobadi, an Iranian filmmaker, discussed his recent documentary 'Life on the Border' featuring displaced Kurdish children at the Berlin Film Festival. He confirmed he has no plans to return to Iran due to ongoing work commitments, despite comments from Iranian cinema officials suggesting otherwise.

🔍 Quick Context Guide
💡 Bottom Line: Ghobadi's work underscores the intersection of art, politics, and human rights, reflecting the struggles of marginalized communities.

👥 Key Players

Bahman Ghobadi MENTIONED
Filmmaker
"Ghobadi is a prominent Iranian Kurdish filmmaker known for highlighting the struggles of marginalized communities, particularly Kurds."
Hojatollah Ayubi MENTIONED
Head of the Iranian Cinema Organization
"Ayubi represents the Iranian government's stance on cinema and its influence on filmmakers' activities and decisions."

📰 What Happened

At the Berlin Film Festival, Bahman Ghobadi presented his documentary 'Life on the Border,' which features displaced Kurdish children. He confirmed he has no plans to return to Iran despite comments from Iranian cinema officials suggesting otherwise.

  • The documentary was created with the help of displaced Kurdish children from Iraq and Syria.
  • Ghobadi has ongoing projects and has expressed no intention of returning to Iran at this time.

💡 Why It Matters

🇮🇷 For Iran: Ghobadi's refusal to return highlights the challenges faced by Iranian artists and the ongoing repression of dissenting voices in the country.
🌍 Regional: The film addresses the plight of Kurdish communities, which is a significant issue in the Middle East, impacting regional stability and ethnic relations.
🌐 International: The documentary's international exposure may draw attention to human rights issues in Iran and the plight of refugees, influencing global perceptions and policies.

📚 Background

Iranian filmmakers often face censorship and repression, particularly those who address sensitive political and social issues. The Kurdish population in Iran and neighboring countries has a long history of marginalization.

Kurdish rights and identity Censorship in Iranian cinema
📡 Source: NEUTRAL
📊 Confidence: 70%
The article presents a straightforward account of Ghobadi's activities and statements without apparent bias.

During the recent Berlin Film Festival, several Iranian filmmakers presented their new films. Among them was Bahman Ghobadi, a well-known filmmaker who came to Berlin as a producer of a documentary film. This episodic film is titled 'Life on the Border' and is made by a number of displaced Kurdish children from Iraq and Syria. I spoke with Bahman Ghobadi about this film and his recent cinematic activities. Ghobadi explained that the idea for 'Life on the Border' came while he was involved in another documentary in the camps of Iraqi Kurdistan. He observed that various individuals were providing help and education to the camp residents: a doctor was treating patients, an artist was teaching painting, and the famous photographer Reza Daghati was gathering people to teach them photography. Ghobadi thought he could teach cinema. During the filming of his project, he invited seven Iranian Kurdish filmmakers to participate. They held filmmaking classes for about six to seven months, selecting one hundred children from four camps and initially teaching them photography. Half of the children were Syrian Kurds and the other half were Yazidis from Shingal, Iraq. They were divided into groups focusing on photography, cinematography, and directing. Ghobadi purchased around thirty-five amateur cameras for the children to learn photography. He hoped that if they returned to their cities and faced another event, they could capture photos and videos to share online. During the classes, fourteen films were produced. The children chose the subjects of their films, and each participant also became a filmmaker, sharing ten minutes about their lives. Initially, there was no intention to produce a film, but after seeing the children's work, Ghobadi decided to compile it into a feature film. He called an editor from Iran to help with the editing and sound design. Most of the seven filmmakers who participated were his assistants and Iranian Kurds. Ghobadi covered the costs himself, which were quite low, totaling less than twenty-five thousand dollars. The film's distribution rights were sold to several television stations, including NHK, and a French distributor has also requested the film. Three and a half months ago, President Obama and his team viewed the film, and it has been introduced through human rights organizations. Overall, positive developments have occurred for the film, which exceeded their expectations. They are currently working on a second version, collaborating on four more serious projects with the returning Iraqi Kurds from Shingal. Ghobadi also mentioned that he is working on a documentary titled 'Flag Without a Country,' which is not yet complete and focuses on Kurdistan and the situation of Iraqi Kurds. He will return from Berlin and has a week of filming ahead, needing further changes. Recently, Hojatollah Ayubi, the head of the Iranian Cinema Organization, made a comment about the possibility of Ghobadi returning to Iran. Ghobadi acknowledged Ayubi's kind words but stated that he does not know these friends and currently does not wish to return. He is too busy with work to consider returning, as he is involved in several projects for others and his own remaining project. He mentioned that he might make a film in China if possible.

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Translated from the original and edited for English readers. View original source →

Translation confidence: 85%

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