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From Shahab Tolouei's New Album to Saeed Dabiri's Complaints on 'House Number 13'

Jan 23, 2026 January 23, 2026 2 min read 📰 Radio Farda
📋 Key Takeaway

Shahab Tolouei discussed his new album 'Oxymoron' and performed songs reflecting both festive and political themes on 'House Number 13'. Saeed Dabiri also appeared, voicing strong criticisms of fellow musicians regarding unauthorized performances of his work. This highlights ongoing tensions in Iranian music amidst political unrest.

🔍 Quick Context Guide
💡 Bottom Line: The event underscores the intersection of art and politics in Iran, revealing the challenges artists face in expressing dissent.

👥 Key Players

Shahab Tolouei MENTIONED
Musician
"Tolouei's music reflects both cultural and political themes, making him a significant figure in the contemporary Iranian music scene."
Saeed Dabiri MENTIONED
Lyricist and Composer
"Dabiri's criticisms highlight ongoing tensions in the music industry regarding intellectual property and artistic integrity."
Shahram Ebrahimi MENTIONED
Producer of 'House Number 13'
"Ebrahimi's role in producing a platform for musicians to express their views is crucial in a repressive environment."

📰 What Happened

Shahab Tolouei appeared on 'House Number 13' to discuss his new album 'Oxymoron' and performed songs reflecting political and festive themes. Saeed Dabiri criticized fellow musicians for unauthorized performances of his work, highlighting tensions in the Iranian music scene.

  • Tolouei's album includes a politically charged track related to recent protests in Iran.
  • Dabiri publicly addressed issues of artistic integrity and unauthorized use of his lyrics.

💡 Why It Matters

🇮🇷 For Iran: The discussions around music and artistic expression reflect broader societal tensions and the struggle for cultural freedom in Iran.
🌍 Regional: The Iranian music scene is a microcosm of regional artistic expressions and dissent, influencing cultural movements in neighboring countries.
🌐 International: International audiences may gain insight into the complexities of Iranian society through its music and the challenges artists face.

📚 Background

Iranian music often serves as a form of resistance and expression amidst political repression, with artists navigating a complex landscape of censorship and cultural heritage.

Iranian protests of 1401 Censorship in Iranian arts
📡 Source: NEUTRAL
📊 Confidence: 70%
The article presents a balanced view of the events, focusing on the perspectives of the artists involved without overt bias.

On Sizdah Bedar 1404, Shahab Tolouei, an Iranian musician residing in Prague known for his 'Ethnoflamenco' music, was a guest on the program 'House Number 13'. He recently released the album 'Oxymoron' (Contradictory) just before Nowruz, featuring a track titled 'Nowruzvash', which reflects the festive spirit of Nowruz while also hinting at the political events in Iran during the protests of 1401. This year's Nowruz program on Radio Farda was also inspired by the name of this song. In 'House Number 13', Tolouei performed songs from 'Oxymoron' as well as several tracks that have influenced his music, including works by Farhad, Fereydoun Foroughi, and Faramarz Aslani. Another guest on the program was Saeed Dabiri, a lyricist, composer, and music teacher in Tehran. Dabiri, known for notable songs like 'Zamestoon' sung by Afshin and 'Parandeh' sung by Googoosh, discussed his recent work, the song 'Nowruz', which he wrote to the melody of Kourosh Yaghmaei and has gained significant popularity. He boldly criticized some singers and composers who have reinterpreted or performed his works without his consent. His grievances included comments about his former colleagues Siavash Ghomeishi and Fereydoun Khoshnood, his views on the performance of the song 'Ghasideh' composed by Siavash Ghomeishi sung by Parviz Taheri, a singer associated with the Iranian state television, and his sharp criticism of Susan Roshan. 'House Number 13' is produced in collaboration with Shahram Ebrahimi.

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Translated from the original and edited for English readers. View original source →

Translation confidence: 85%

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