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In the White City

Feb 12, 2026 February 12, 2026 1 min read 📰 VOA Persian
📋 Key Takeaway

The article discusses the film 'In the White City' directed by Alain Tanner, which tells the story of a lost sailor named Paul who finds solace in Lisbon. The film explores themes of alienation and self-discovery through the lens of the sailor's experiences in a foreign city. It highlights the juxtaposition of destruction and enlightenment.

🔍 Quick Context Guide
💡 Bottom Line: The film 'In the White City' offers a poignant exploration of alienation and self-discovery through the lens of a sailor in Lisbon.

📰 What Happened

The article discusses the film 'In the White City,' which follows a lost sailor named Paul who finds solace in Lisbon, exploring themes of alienation and self-discovery.

  • The film was directed by Alain Tanner and released in 1983.
  • It features a narrative centered on a sailor's psychological journey in a foreign city.

💡 Why It Matters

🇮🇷 For Iran: While the film does not directly relate to Iran, themes of alienation may resonate with Iranian audiences experiencing similar feelings of displacement.
🌍 Regional: The film's exploration of identity may reflect broader regional issues of migration and cultural identity.
🌐 International: The film contributes to global discussions on the human condition, particularly regarding the experiences of expatriates and the search for belonging.

📚 Background

The film addresses universal themes of alienation and self-discovery, relevant to audiences worldwide.

Cinematic explorations of identity Themes of displacement in literature and film
📡 Source: NEUTRAL
📊 Confidence: 70%
The source provides a straightforward summary of the film without apparent bias.

In the White City - 2002-08-31. Director: Alain Tanner. Switzerland, 1983, Color, 108 minutes. The White City refers to Lisbon, the capital of Portugal, a port where a lost sailor has separated from his ship and settles there. This lost and alienated sailor is named 'Paul,' who finds psychological peace in the new city as a foreigner and spends his time filming the streets and alleys of the city with an 8mm camera. These filmed pieces, set against the jazz music of Jean-Luc Barbier, are essentially a chronicle of Paul's descent into the border between destruction and enlightenment.

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Translated from the original and edited for English readers. View original source →

Translation confidence: 85%

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