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Pegah Ahangarani Participates with 'My Father' in the Competitive Section of the International IDFA Festival

Feb 6, 2026 February 6, 2026 3 min read 📰 VOA Persian
📋 Key Takeaway

Pegah Ahangarani's documentary 'My Father' has been selected for the competitive section of the IDFA festival, highlighting personal and historical narratives about the Iranian Revolution. The film explores the impact of Iran's tumultuous history on Ahangarani and her family, using a blend of archival footage and personal storytelling. This participation underscores the ongoing relevance of Iranian cinema in addressing social and political issues.

🔍 Quick Context Guide
💡 Bottom Line: Pegah Ahangarani's participation in IDFA underscores the significance of Iranian cinema in exploring complex historical narratives and advocating for social change.

👥 Key Players

Pegah Ahangarani MENTIONED
Director and Actress
"A prominent figure in Iranian cinema known for addressing social issues, particularly women's rights and the impact of the Iranian Revolution."
Kaveh Farnam MENTIONED
Producer
"A collaborator with Ahangarani who shares a personal connection to the themes explored in their films, emphasizing the importance of generational narratives in Iranian society."
International Documentary Film Festival Amsterdam (IDFA) MENTIONED
Film Festival
"One of the leading documentary film festivals globally, providing a platform for filmmakers to showcase works that often address critical social and political issues."

📰 What Happened

Pegah Ahangarani's documentary 'My Father' has been selected for the competitive section of the IDFA festival, where it will compete against other notable documentaries. The film explores the personal and historical impact of the Iranian Revolution on Ahangarani and her family.

  • The IDFA festival will take place from November 8 to 28 in Amsterdam.
  • The documentary uses archival footage and personal storytelling to reflect on 50 years of Iranian history.

💡 Why It Matters

🇮🇷 For Iran: The film highlights the personal narratives of Iranians affected by historical events, contributing to a broader discourse on identity and memory in contemporary Iran.
🌍 Regional: It showcases the resilience of Iranian artists in addressing sensitive topics, potentially influencing other filmmakers in the region.
🌐 International: The participation of Iranian films in international festivals helps raise awareness of the social and political issues in Iran, fostering dialogue and understanding.

📚 Background

Iranian cinema has a rich history of addressing social and political issues, often reflecting the struggles of its people. The Iranian Revolution of 1979 remains a pivotal event that continues to shape the country's cultural landscape.

Iranian Revolution Women's rights in Iran
📡 Source: NEUTRAL
📊 Confidence: 70%
The article presents factual information about the film and its context without evident bias, making it a reliable source for understanding the significance of the event.

The International Documentary Film Festival Amsterdam (IDFA) has selected Pegah Ahangarani's film 'My Father' to participate in its competitive section. IDFA, one of the most important annual events in the world of documentary cinema, announced the names of works in its short documentary competition on Thursday, October 6. The documentary 'My Father', directed by Pegah Ahangarani, produced by Kaveh Farnam, and edited by Arash Ashtiani, is listed as one of the films in the competition section. The director's previous film, 'I Try Not to Forget', participated in over 40 prestigious international festivals and won numerous awards. Kaveh Farnam, the producer of 'My Father', told Voice of America: 'This documentary has a very similar format and presentation style to Pegah's previous film. We will get to know the character Shaghlam (as a sample and character) from another perspective and get closer to the narrator's (Pegah's) family.' He speaks about his collaboration with Pegah Ahangarani as a producer of the film, saying: 'This is not our first work together. My greatest motivation to be alongside Pegah is the deep empathy I have for the characters she chooses. More than empathy, Shaghlam was and is my best friend throughout my adolescence and youth.' Mr. Farnam adds: 'After the success of my documentary, I Try Not to Forget, Pegah's decision to continue this path and advance the narrative form, and provide a stronger and more complete representation of the generation that is my generation, compelled me to be alongside Pegah.' He further states: 'What could be sweeter and more enlightening for me than to hear a creative artist from my generation talk about the influences they have received from this generation? Undoubtedly, this is a great opportunity to see oneself in the mirror of history, and Pegah gives me this chance.' The IDFA website describes the documentary 'My Father' as follows: Pegah Ahangarani, an Iranian actress and director born in 1984, thought every soldier she saw on television during her childhood might be her father. In the early years of Pegah's life, her father was fighting on the front lines, and a picture of Khomeini was hanging in a prominent place in their home. But one day, the image of the Ayatollah disappeared without explanation and was replaced by another photo. In this personal work, Pegah discusses how the Iranian Revolution and its tumultuous period affected her and her family. Using archival footage, news excerpts, and family photos, she narrates her personal story, initially from the perspective of a girl living in a world of legendary heroes, then gradually shifting to the viewpoint of an adult who can interpret these complex events. Pegah Ahangarani poetically explains how the lives of generations of her family and friends have been influenced by the past 50 years of Iranian history. The International Documentary Film Festival Amsterdam will take place from November 8 to 28 in Amsterdam. Pegah Ahangarani is among the critical filmmakers who have supported women, youth, and the Iranian freedom movement without the mandatory hijab.

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Translated from the original and edited for English readers. View original source →

Translation confidence: 85%

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