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Protests Against Transfer of Home Entertainment Oversight with 'Green Light' from Raisi: 'End of People's Entertainment'

Feb 7, 2026 February 7, 2026 3 min read 📰 VOA Persian
📋 Key Takeaway

Prominent Iranian filmmakers are protesting the transfer of oversight of home entertainment to the IRIB, viewing it as a threat to artistic freedom and public entertainment. They argue this move is a direct result of President Raisi's approval and could lead to widespread bans on artists. This situation highlights ongoing tensions between the government and the artistic community in Iran.

🔍 Quick Context Guide
💡 Bottom Line: The transfer of home entertainment oversight to IRIB is a contentious move that threatens artistic freedom in Iran.

👥 Key Players

Ebrahim Raisi MENTIONED
President of Iran
"As the President, Raisi's policies and approvals significantly influence governmental and cultural directions in Iran."
Islamic Republic of Iran Broadcasting (IRIB) MENTIONED
State-controlled media organization
"IRIB is the main state broadcaster in Iran, known for its alignment with government policies and influence over public media."
Parviz Parastui MENTIONED
Veteran actor
"Parastui is a prominent figure in Iranian cinema, known for his outspoken views and influence in the artistic community."
Peyman Jabali MENTIONED
Head of IRIB
"As the head of IRIB, Jabali plays a crucial role in shaping the content and policies of state media."

📰 What Happened

Iranian filmmakers are protesting the transfer of home entertainment oversight to IRIB, fearing it will lead to increased censorship and artist bans. This decision is seen as backed by President Raisi and could endanger artistic freedom in Iran.

  • The oversight of home entertainment was previously managed by the National Cinema Organization under the Ministry of Culture.
  • The transfer to IRIB follows criticism of home network series by state media.

💡 Why It Matters

🇮🇷 For Iran: This move could further restrict artistic expression and limit public access to diverse media, exacerbating tensions between the government and cultural sectors.
🌍 Regional: Cultural policies in Iran can affect regional perceptions of governance and freedom, influencing neighboring countries' views on media control.
🌐 International: Internationally, this may impact Iran's cultural exports and its image regarding freedom of expression.

📚 Background

Iran has a history of strict media control, with IRIB playing a central role in disseminating government-approved content. Artistic communities often face censorship and pressure.

Media censorship in Iran Iranian cultural policies
📡 Source: OPPOSITION
📊 Confidence: 70%
The source reflects the views of those opposing government policies, highlighting concerns about censorship and artistic freedom.

A number of prominent figures in cinema and television in Iran have protested the transfer of oversight of the home entertainment network to the Islamic Republic of Iran Broadcasting (IRIB), deeming it a sign of a 'tsunami of artist bans.' In a joint protest statement published on their Instagram pages on Thursday, July 1, these filmmakers described the transfer of oversight as the 'end of home entertainment' and attributed it to the 'green light from Raisi.' They emphasized that the 'end of home entertainment' falling into the hands of IRIB means 'a tsunami of artist bans and the end of people's entertainment.' In a joint poster shared by figures including Parviz Parastui, Mohsen Kiai, Mehrab Qasemkhani, Ali Shadman, and Anahita Afshar, 'home entertainment' is recognized as 'people's entertainment' and a source of income for artists. Veteran actor Parviz Parastui, referring to the satisfaction of Peyman Jabali, head of IRIB, with the organization's Nowruz programs, sarcastically noted the solo presence of 'Mehran Rajabi' in those programs, stating that 'now all artists who have severed ties with television must obtain permission from them to create home entertainment.' He mentioned that he has not appeared on television for '14 years' and will not return to this government media. Reports indicate that oversight of home entertainment has been transferred to IRIB following the approval of the Cultural Revolution Council. Previously, the 'Cinema and Audiovisual Affairs Organization,' more commonly known as the 'National Cinema Organization,' which is a government entity directly under the Ministry of Culture and Islamic Guidance, was responsible for 'managing cinematic affairs and home entertainment networks' as the governmental authority. This transfer occurred after state media criticized home network series as examples of 'strange laxity' in this media and attacked them. Despite threats, harassment, and government pressure on artists and filmmakers in Iran, many, especially women, continue to support nationwide protests and criticize the policies of the Islamic Republic in various ways. Kaveh Farnam, a film producer and member of the Independent Filmmakers Association of Iran, previously told the Persian section of Voice of America: 'People are resisting against this government, standing against repression, and engaging in various forms of civil disobedience; artists are not separate from the people. Filmmakers have a duty to stand with the people; in the worst conditions, they do not need to be ahead of the people, but they must be alongside them and accompany the people.'

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Translated from the original and edited for English readers. View original source →

Translation confidence: 85%

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