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Latest Representatives of Iran's Underground Cinema at Rotterdam Festival

Jan 23, 2026 January 23, 2026 3 min read 📰 Radio Farda
📋 Key Takeaway

The Rotterdam Film Festival showcased two new Iranian films from the underground cinema movement that bypassed government censorship. These films highlight the growing prominence of independent Iranian filmmakers on the international stage, particularly in the context of recent political movements in Iran. The participation of these films underscores the challenges faced by filmmakers under the Islamic Republic's restrictions.

🔍 Quick Context Guide
💡 Bottom Line: The presence of Iranian films at Rotterdam underscores the struggle for artistic freedom in a repressive regime.

👥 Key Players

Amir Ali Navayi MENTIONED
Director of 'Sunshine Express'
"Represents the underground cinema movement in Iran, pushing boundaries of censorship."
Sahand Kabiri MENTIONED
Director of 'Community'
"Highlights the voice of Generation Z in Iran and the challenges they face."
Mohammad Rasoulof MENTIONED
Director of 'The Fig Seed of Temples'
"An internationally recognized filmmaker facing legal challenges due to his work."
Soheila Golestani MENTIONED
Actress facing travel ban
"Symbolizes the repression of artists under the Iranian regime."

📰 What Happened

The Rotterdam Film Festival showcased two new Iranian films from the underground cinema movement that defy government censorship. These films reflect the growing prominence of independent Iranian filmmakers on the international stage.

  • The films screened bypassed mandatory hijab censorship for female actors.
  • One film, 'The Fig Seed of Temples,' is nominated for an Oscar.

💡 Why It Matters

🇮🇷 For Iran: This showcases the resilience of Iranian filmmakers and the growing underground cinema movement despite state censorship.
🌍 Regional: It highlights the cultural pushback against authoritarianism in the region.
🌐 International: It draws attention to the plight of artists in Iran and the need for international support for freedom of expression.

📚 Background

Iranian cinema has a rich history but faces severe restrictions under the Islamic Republic, particularly regarding women's representation and freedom of expression.

Censorship in Iran Underground cinema movements
📡 Source: INTERNATIONAL
📊 Confidence: 70%
The article appears to come from a neutral perspective, focusing on cultural events without overt political bias.

Alongside the Fajr Film Festival in Iran, the Rotterdam Film Festival, a prestigious European cinematic event, showcased several films from the unofficial cinema movement in Iran. Among the films presented were two new Iranian films produced without adhering to the mandatory hijab censorship for female actors and without the usual filmmaking permits in the Islamic Republic. These films are the latest products of a movement that has become the main representatives of Iranian cinema at significant international events and festivals, especially in the last two years. One of the films, 'Sunshine Express' directed by Amir Ali Navayi, was screened in the competition section of the Rotterdam festival. The story revolves around a group that agrees to become passengers on a fictional train in a studio for a reality competition, under the condition that they accept everything they are told. The cast includes Babak Karimi, Mohammad Aghabati, Sajjad Hamidian, Sam Nakhai, Shayesteh Sajadi, Azadeh Seyfi, Kiana Kermaniyan, Mahvash Afshar Panah, and Arash Naeimian. According to the Rotterdam festival website, it is 'a superb metaphorical work examining how authoritarian structures maintain their existence through collective complicity.' Another Iranian feature film shown in Rotterdam, titled 'Community,' was screened in the 'Bright Future' section. This film tells the story of a group of young boys and girls from the so-called Generation Z who want to throw a night party to celebrate one of their friends' trip abroad. In this film, female actors also do not wear hijabs, and the film's approach and expression are very explicit and bold. It is directed by Sahand Kabiri, who has previously made several short films. The cast includes Keyvan Mohammadi, Razieh Mansouri, Shoja Giyahi, Basteh Rezaei, Rambod Matlabi, and Dorsa Shirazi. In addition to these two new films, 'The Fig Seed of Temples' directed by Mohammad Rasoulof, which has been nominated for an Oscar in the Best International Feature Film category, was also specially screened at the Rotterdam festival with the presence of its creator. During this session, Rasoulof discussed the conditions of independent Iranian filmmakers and mentioned the legal case formed against the crew of his film and the travel ban imposed on one of his actresses, Soheila Golestani, stating that the Islamic Republic is waiting to issue the final verdict for this actress after the Oscar results are announced. Ms. Golestani was supposed to attend the Rotterdam festival as a judge but could not participate due to her travel ban. Additionally, the feature documentary 'Tehran, Incomplete History' by Saeed Noori, which narrates the contemporary history of Tehran through the editing of a large number of Iranian films before the 1979 revolution and combines them with well-known songs and music, was screened at the Rotterdam festival with the presence of its creator. At Noori's suggestion, the old film 'Neglect' directed by Ali Kasmaei from 1953, featuring Nasser Malek Motiee, was also screened. Navid Nikkhah Azad, a filmmaker and writer present at the festival, provided explanations about each of the Iranian films and the presence of their creators at the Rotterdam festival in an interview with 'Scene' on Radio Farda.

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Translated from the original and edited for English readers. View original source →

Translation confidence: 85%

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