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Second Film of 2015 Boycotted by the Art Bureau and Municipality

Feb 1, 2026 February 1, 2026 3 min read 📰 Radio Farda
📋 Key Takeaway

The film "Whale Amber" has been released in Iranian cinemas despite a boycott by the Art Bureau and Tehran Municipality, which limits its screening opportunities significantly. This follows a pattern of censorship affecting various films in Iran, raising concerns about artistic freedom. The situation reflects ongoing tensions between cultural authorities and filmmakers in the country.

🔍 Quick Context Guide
💡 Bottom Line: The ongoing boycotts of films in Iran highlight significant tensions between cultural authorities and filmmakers, impacting artistic expression.

👥 Key Players

Art Bureau MENTIONED
Censorship authority controlling cinema screenings
"They have significant influence over which films can be shown in Iran, impacting artistic expression."
Municipality of Tehran MENTIONED
Local government managing some cinema complexes
"They also play a role in film screenings and can restrict access to major cinema venues."
Saman Moghadam MENTIONED
Director of 'Whale Amber'
"As a filmmaker, he represents the creative community affected by censorship."
Hojjatollah Ayubi MENTIONED
Head of the Cinema Organization
"He oversees cinema regulations and has commented on the state of film censorship."
Amir Ghotbi MENTIONED
Distribution manager of Filmiran
"He is responsible for the distribution of films and highlights the impact of boycotts on film access."

📰 What Happened

The film 'Whale Amber' was released in Iranian cinemas despite being boycotted by the Art Bureau and the Municipality of Tehran, limiting its screening opportunities. This follows a similar boycott of another film, 'Tales,' indicating ongoing censorship issues in the Iranian film industry.

  • The Art Bureau controls about 100 cinema halls across Iran, affecting one-third of the country's cinema capacity.
  • The boycott of films has been a recurring issue in Iran since 2012, impacting filmmakers and their ability to reach audiences.

💡 Why It Matters

🇮🇷 For Iran: The censorship of films raises concerns about artistic freedom and the ability of filmmakers to express themselves in Iran.
🌍 Regional: Censorship in Iran can reflect broader trends of artistic repression in the region, affecting cultural exchange.
🌐 International: International audiences and critics may view these actions as indicative of Iran's restrictions on freedom of expression.

📚 Background

Censorship in Iran has a long history, with various authorities controlling what can be shown in cinemas, often leading to conflicts with filmmakers.

Censorship in Iran Artistic freedom
📡 Source: NEUTRAL
📊 Confidence: 70%
The article presents factual information about the events without overt bias, but the context of censorship may influence interpretations.

The feature film "Whale Amber" directed by Saman Moghadam was released in cinemas despite being boycotted by the Art Bureau and the Municipality of Tehran. Previously, these two entities had also boycotted the film "Tales" directed by Rokhsareh Ghaem Maghami. The Art Bureau controls about 100 cinema halls across the country, meaning that films boycotted by this organization will not be able to screen in one-third of the country's cinema capacity. According to statistics announced by Hojjatollah Ayubi, the head of the Cinema Organization, in October 2014, there are approximately 320 cinema halls in Iran, with an additional 80 halls expected to be added soon. On the other hand, according to Mohsen Mohammadi, head of the Art Bureau, in April 2014, about 100 halls of the Iranian cinema exhibition belong to the Art Bureau of the Islamic Propagation Organization. However, the Municipality of Tehran manages significantly fewer cinema halls due to the limitation of its powers in the city, although some of the major cinema complexes like Azadi and Mellat belong to this entity. The film "Whale Amber" faced some obstacles for public screening and was subsequently boycotted by the Art Bureau and the Municipality. In this regard, Amir Ghotbi, the distribution manager of Filmiran, which handles the film's distribution in cinemas, stated in an interview with Fars News Agency that "Whale Amber" is deprived of major cinema complexes such as Cinema Azadi, Mellat Complex, and those belonging to the Art Bureau and the Municipality. Previously, the film "Tales," which managed to find a screening opportunity after four years, was also boycotted by the Art Bureau and the Municipality of Tehran. This comes as Hojjatollah Ayubi mentioned earlier in May during the opening of the international section of the Fajr Festival that the renewed boycott of some films by the Art Bureau was merely a rumor and had not been officially announced. The issue of film boycotts by certain cinema-owning entities in Iran began in 2012 when several films with screening permits were prevented from being shown by the Art Bureau and the Municipality of Tehran. In that year, films such as "Without Cause," "Simple Reception," "I Am a Mother," "I Am Sleepy," and "I Am His Wife" were not allowed to be screened in the cinema complexes under the Municipality and those belonging to the Art Bureau. This situation continued in a more limited manner in the first half of 2013, with two films remaining from the 2012 screenings, "Wooden Bridge" and "Snow on the Pines," also included in the boycott list. However, this trend did not continue in the second half of 2013 and 2014, as films that had the opportunity for public screening were shown in all cinemas across Iran and their capacities. Two months into 2015, two films have been boycotted by the Art Bureau and the Municipality, and another film, according to its creators, has also been placed on the Art Bureau's boycott list. "Daughter's House" directed by Shahram Shah Hosseini, which addresses the importance of "virginity" in Iranian society, will not have the opportunity to be screened in the cinemas of the Art Bureau and the Municipality of Tehran if it finds a chance for public screening.

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Translated from the original and edited for English readers. View original source →

Translation confidence: 85%

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